Self/Less, or more appropriately, Wit/Less is an
identity switching sci-fi drama starring Ben Kingsley as an ailing billionaire
property tycoon called Damien Hale. In need of a solution to save his dying
body and preserve his brilliant mind, Hale seeks out a futuristic treatment whereby
his consciousness is implanted into a younger, fitter body – this being Ryan
Reynolds – but is the body just a hollow vessel grown in a lab or does it have memories
of its own?
Mistaken identity and conspiracy are well-worn science
fiction ideas drawn most notably from Philip
K. Dick’s venerable canon of work, but Tarsem Singh’s picture instead seems to be
reworking riffs from already rehashed movies such as The Island(2005), The
Butterfly Effect(2004) and Unknown(2011)
as opposed to something like John Woo’s superior identity thriller Face/Off(1997) or Spielberg's Minority Report(2002). What begins with an enjoyable body-shock premise – which initially sees Hale using his newly acquired health and physical
allure to party and attract girls – after the first reel loses any sense of
ingenuity in favour of a bland sub-Bourne chase narrative. Ben
Kingsley adds presence and gravitas to the surrounding emptiness of the drama
and Ryan Reynolds tries hard with the material he is given, but the end result is
an unnecessarily long and ludicrous one.
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